CONCERT ETIQUETTE
Here are some guidelines about etiquette and courtesy at a classical
concert. It is important to remember that attending a classical concert
is very different from going to a movie or a rock concert, or of watching a
movie at a theater or on television. Most of these "rules" serve to
provide the best possible listening environment for the audience and for the
performers on stage, and others are simply the result of traditions that have
evolved through the years. The rule of thumb in classical concert etiquette is
to be considerate of the performers and of other audience members, and not
cause distractions that will disturb the atmosphere of the performance.
Here is a short list of common "rules" of etiquette for attending a
classical concert:
1. Be on time. Don't be the last one to be seated, and if you arrive after a
piece has started wait until the piece is over before finding your seat.
2. Don't talk or whisper during a performance. Remember that the performers can
hear you every bit as well as you can hear them.
3. Be sure to turn off any cell phones, pagers or wristwatches that can make
noises before entering a concert.
4. Stay seated except for intermission and the end of the concert, unless you
are truly ill and need to leave the concert hall.
5. Don't clap until you're certain that a piece is finished. If the piece has
several sections, it is usually not appropriate to clap between the sections.
When in doubt, wait to see what the rest of the audience is doing; you don't
have to be the first to applaud.
6. Whistling, whooping or shouting is not appropriate at a classical concert,
although occasionally someone will call 'bravo' after a particularly fine
performance.
7. Every concert does not automatically conclude with a standing ovation.
8. You should not eat or drink anything in the concert space, including candy,
where the wrapper can make a particularly distracting noise.
9. Be discreet in the use of your program during the performance. Many people
do refer to their program during a piece, especially if they are following the
text of a choral piece, but be cautious that you don't drop it or make noisy
page turns.
10. Above all, enjoy the music. Everybody experiences concerts in different
ways; some people closely follow the printed program during a piece, some
listen with their eyes closed, some follow the conductor's every gesture, some
do all of these and more. The important thing is to help create and sustain an
environment where everyone in the hall can totally immerse himself or herself
in the beauty and magic of the live performance of fine music.